IQ: Dumb-dumb-dumb

When we think about geniuses (genii? Or is that many genies?), we obviously think about Einstein and his ilk. You’d probably include Pythagoras on your list, although lord knows his much-ballyhooed theorem hasn’t done me much good in life; and Darwin, despite his anxieties about raising a mad and inbred family; and maybe Shakespeare, if you ignore The (so-called) Comedy of Errors and that best-forgotten one about nymphs and shepherdesses prancing around in the forest. You probably would not include Sir Paul McCartney on your list, despite perhaps enjoying a rousing rendition of ‘The Frog Chorus’ when you’re a bit pissed, and yet 16.3% of respondents to this week’s Guardian poll – Who Is The Greatest Living Genius? – did just that. According to the poll, Macca is deemed to be seven times more of a genius than the woman who identified HIV as the cause of AIDS, and only a little bit less of a genius than the man who invented the world wide web. (Massively in the lead with 40.7% was, of course, Stephen Hawking.)

So this week, I have been thinking about intelligence, genius and IQ.

‘IQ’ stands for the German phrase Intelligenz-Quotient (er, Intelligence Quotient), a term coined in 1912 by psychologist William Stern. There are two main ways of calculating IQ: the old-fashioned ratio IQ, which divides your mental age by your actual age and multiplies by 100, and the more modern deviation IQ, which measures you against an average IQ of 100, generally generating a lower figure than your ratio IQ. According to some tests, a score over 115 makes you ‘bright’, over 130 ‘moderately gifted’, over 145 ‘highly gifted’, and over 160 ‘exceptionally gifted’. A score of over 175 puts you among the ‘profoundly gifted’, an elite group containing less than 1% of the human population and chaired, one imagines, by Sir Paul McCartney.

The highest (ratio) IQ ever recorded was a whopping 228, which earned the aptly-surnamed Marilyn vos Savant a place in the Guinness Book of Records. Her enormous brain got a bit carried away with itself, however, and vos Savant went on to write a widely ridiculed book discrediting the findings of Andrew Wiles – who had just solved the notorious 350-year-old maths problem Fermat’s Last Theorem – showing that a high IQ isn’t necessarily accompanied by a great deal of common sense.

A lot of no-doubt-highly-IQ’d people have done a lot of research into IQ, and come to the totally underwhelming conclusion that a high IQ makes you more likely to live long and prosper, while a low IQ puts you at greater risk of accidentally injuring yourself whilst engaging in reckless criminal activity. Things that can affect your IQ include your parents’ IQ, the structure of your brain’s cortex, your childhood musical training, and whether or not you were breastfed (breast is indeed best).

So that’s IQs sorted out, but what about genius? While some scientists have come up with formulae to calculate genius (‘Measure a person’s general ability, then measure their cleverness, then square both numbers and add them together, then take the square root’ – JCM Garnett), others have spent lifetimes philosophising about what makes a genius. Personally I think anyone who has officially been labelled a polymath (a bit of an all-rounder) deserves to be called a genius – the likes of Goethe, who discovered a bone in the human jaw and wrote the marvellous Faust, or Benjamin Franklin, who drafted the Declaration of Independence and invented the lightning rod and bifocal glasses.

Yet more scientists – ones with far too much time on their hands – have trawled the annals of history to try to work out the IQs of people who had the audacity to be brainy before IQs were invented. Somehow they came to the conclusion that Goethe had an IQ of 179, putting him below Wittgenstein (190), but above Descartes (162), Mozart (153) and that thicko Charles Darwin (152).

But are all these numbers and tests ultimately meaningless? At my secondary school, we were compelled by the careers woman to do a test called the Morrisby Profile. We spent hours locked in the sports hall doing a variety of verbal, numerical and spatial tests to help us determine what sort of glittering careers awaited us in later life. One of the tests involved writing as many ‘S’s as you could in the space of a minute. The sports hall was freezing, it being November and the heating being off as usual, and I only managed about 30 before my hand turned into an icy claw. The test results criticised my poor dexterity and suggested I become a soil engineer.

Headlines: Behold the Front Page

If there’s one thing I loathe (there is not: there are many), it’s headlinese. I know headlines have to squash an awful lot of info into a snappy linguistic snippet, but the language used is just so ugly and functional. I don’t like the American convention of using commas instead of ‘and’ (‘White van, old granny involved in hit, run’), I don’t like the enthusiastic overuse of ‘bid’ – as in ‘X in a bid to quell rumours’ or, worse, ‘X in rumour denial bid’ – nor of ‘set to’, as in ‘X is set to storm the charts/launch rumour denial bid’, and I REALLY hate the ones that are just a string of nouns. From the BBC News website this week:

LUNG CONDITION AWARENESS CONCERN

CREDIT CARD SECURITY BREACH FEAR

And one that’s managed to slip in just a very short non-noun:

JAIL FOR HANDBAG FIRE ROW WOMAN

As one of my current favourite bloggers so rightly points out, headlines these days sound like cryptic crossword clues.

That said, there have certainly been some clever or otherwise memorable headlines over the years, and it seems fitting to celebrate them in a week that marked the 40th anniversary of The Sun newspaper, champion of boobies and Our Boys, and hater of anyone who won’t get their boobies out for Our Boys.

The Sun was first published in November 1969 with the headline ‘HORSE DOPE SENSATION’, which scores 7/10 on the string-of-nouns front but 0/10 for the pun-tastic ‘humour’ that has become the paper’s staple. Some Sun classics from over the years:

SUPER CALEY GO BALLISTIC, CELTIC ARE ATROCIOUS
(Caledonian Thistle thrash Celtic in Scottish Cup match)

IT’S PADDY PANTSDOWN!
(Paddy Ashdown has affair)

ZIP ME UP BEFORE YOU GO GO
(George Michael caught cruising in public toilets)

NO KNOBBY BOBBY KEEPS JOBBY
(Policeman becomes policewoman, retains job)

WE’RE ONLY HERE FOR DE BEERS
(Diamond heist at Millennium Dome)

CHEGGERS CAN’T BE BOOZERS
(Keith Chegwin told to quit drink)

That last one’s a bit mean, but it brings me neatly to my all-time favourite ‘headline’, which I fear is more urban myth than authentic since I can’t find any non-anecdotal reference to it: ABSINTHE MAKES THE FONDAS GROW HEARTIER. Genius.

Funnily enough, The Sun’s most famous headline of all time is one that was only ever seen by a small portion of Northern England. When Our Boys torpedoed the Argentine ship Belgrano during the Falklands War, the paper ran with the headline GOTCHA. The first print run had already gone off for distribution by the time the editor thought it might be prudent to tone it down a bit, so the rest of the country got the same story with what was presumably considered to be a much more restrained headline: DID 1,200 ARGIES DROWN?

While some ‘hilarious’ headlines are simply awful (WE’RE ON OUR WAY TUTU SOUTH AFRICA – England qualify for 2010 World Cup), and some are used with far too much regularity (HOW DO YOU SOLVE A PROBLEM LIKE KOREA?), and others are in horrifically bad taste even for a tabloid (SHOOTS YOU, SIR – Gianni Versace murdered), the occasional nugget of true brilliance makes a compelling argument for establishing tabloids and local rags as national institutions.

My top ten from this week’s research:

10. BROWN: I NEED YOU TODAY, OH MANDY
(Peter Mandelson is recalled to the Cabinet)

9. FOOT HEADS ARMS BODY
(1980s MP Michael Foot chairs anti-nuclear lobby group)

8. MONTY FLIES BACK TO FRONT
(Field Marshal Montgomery returns by air to the WW2 frontline)

7. SICK TRANSIT’S GLORIOUS MONDAY
(Beleaguered New York transit system bailed out)

6. ‘CHARLIE’ CHAPLAIN
(Prison vicar admits smoking crack cocaine)

5. SCENTS AND SENSIBLE I.T.
(Estee Lauder gets new and improved computer system)

4. IKE ‘BEATS’ TINA TO DEATH
(Ike Turner dies before battered ex-wife Tina)

3. BOOK LACK IN ONGAR
(Librarians go on strike in Essex)

2. QUEEN IN BRAWL AT PALACE
(Crystal Palace player Gerry Queen sent off for on-pitch violence)

1. FOUR KESTRELS MANOEUVRE IN THE DARK
(Hertfordshire man awoken by kestrels falling down chimney)

I can’t leave this subject without posting one of my favourite jokes from b3ta.com (albeit in slightly unfortunate taste), entitled ‘The only headline they’ll ever need’.

Fonts: The Best of Times (New Roman)...

At a wedding last summer, the conversation at my table took an unexpected but rather marvellous turn when someone brought up the subject of fonts. Everyone, it transpired, had a favourite font. When someone declared their favourite to be Verdana, I felt compelled to interject on behalf of Verdana’s more attractive cousin, Trebuchet – the font of this blog – only to hear a scream from down the table: ‘Oh my GOD! I LOVE Trebuchet!’ By the end of the lunch, I had promised to email a few Trebuchet-curious friends a sample of the font of glory so that they could put it to daily use and spread the good word.

The word font comes, believe it or not, from the same roots as fondue – the ultimate 1970s dinner-party fare – because type was formerly made of molten metal. Something I didn’t actually know until today is the difference between a font and a typeface. While typeface refers to the name of the lettering style – Times New Roman, Courier, Lucida, anything we would normally call a font – font is far more specific: 10-point Arial is technically a different font to 12-point Arial, even though they are the same typeface. If you really wanted to let your hair down, you could go for a different font entirely: 12-point Arial Italic Bold. Put that in your email and smoke it.

As you will perhaps remember from school IT lessons in about 1992, the whole point of typing anything on one of those new-fangled ‘computers’ was to use as many typefaces as possible. I used to write all my essays in an illegible italic typeface that seems to have died out, with main headings in Algerian and sub-headings in Brush Script, and with a healthy dose of Zapf Dingbats all down the margins. As long as I didn’t resort to the ‘dweeb’ of fonts, Times New Roman, I was a typesetting pioneer. (Unfortunately, a recent Facebook ‘What Font Are You?’ survey told me that I am Times New Roman, also cleverly intuiting that I am ‘a no-nonsense taskmaster … over the age of 60’ who has ‘always been good at math’.)


Times New Roman was first used in the Times newspaper in 1932, and was specially commissioned after the paper’s previous typeface – Times Old Roman (seriously) – was accused of being typographically uncool. It is perhaps ironic (will check with A. Morissette) that, in 1994, Times New Roman’s own uncoolness spurred a certain Vincent Connare to design the worst typeface ever invented: Comic Sans. He was designing some kid-friendly software for Microsoft and came across a cartoon dog with a speech bubble that contained text in Times New Roman. Realising it looked a bit crap, he started designing a new typeface based on traditional comic-book speech bubbles, literally drawing the letters on-screen using his mouse. The rest, as they say, is ghastly.

The typeface was originally called Comic Book but Connare didn’t think that sounded very typefacey, so he changed it to Comic Sans, since the typeface is a sans-serif one, i.e. it doesn’t have flourishy bits at the end of each stroke. Inexplicably, though, the capital I of Comic Sans is avec serif. Nowadays, with anti-Comic Sans hate groups springing up around the world, even Vincent Connare has admitted that his most famous creation is truly appalling. ‘If you love it,’ he once said, ‘you don’t know much about typography. If you hate it, you really don’t know much about typography, either, and you should get another hobby.’

Interestingly (are you still there?), the same man invented the font of glory, Trebuchet. He named it after the missile-launching device of medieval battle fame, because he ‘thought that would be a great name for a font that launches words across the internet’… Oh dear.

My new favourite font goes by the marvellous name Mrs Eaves. Mrs Eaves! It was designed by Zuzana Licko in 1996, and is based on the elegant older font Baskerville, which was designed in 1757 by typesetter and papier-mâché expert (thems were strange times) John Baskerville. Mrs Eaves is named after Sarah Eaves, who was Baskerville’s housekeeper. When she and her five children were abandoned by Mr Eaves, she and Baskerville got it on, working together and eventually marrying when the estranged husband died. Wikipedia describes her as ‘a forgotten heroine of typesetting’.

Mrs Eaves wouldn’t have used Arial in her essays, that’s for sure.

Guy Fawkes: Quite Some Guy

Four hundred and four years ago today, Guy Fawkes was at the Tower of London being tortured for his involvement in the Gunpowder Plot – or Gunpowder Conspiracy, as it was known in 1605. As we all remember-remember from our school days, the Gunpowder Plot was an attempt by a group of British Catholics to blow up the Palace of Westminster and kill the Protestant King James I and most of the aristocracy. One of the conspirators, Guy Fawkes, was caught red-handed in a cellar in the early hours of 5 November 1605, and the rest, as they say, is bonfires, fireworks and ill-fashioned effigies constructed from bin bags and papier-mâché.

But what else? Given that, until I was about 10, I thought Guy Fawkes was a national hero whose marvellousness was celebrated annually by means of brilliant fireworks, a few choice facts seem to have slipped through the net.

It’s strange, once someone has passed into popular mythology in the way Guy Fawkes has, to imagine that that person actually had a date of birth (13 April 1570) or parents (Edward and Edith) or a day job (soldier and occasional waiter), and quite possibly also a wife (Maria) and a son (Thomas). It is likely that Fawkes’s extensive military experience is what qualified him to be put in charge of the 36 barrels of gunpowder hidden under the Houses of Parliament in readiness for the State Opening of Parliament.

Three things I did not know about the Gunpowder Plot until today:

1. The plot had been in the planning stages for a year and a half, since May 1604, and was postponed a few times due to a plague that delayed the State Opening of Parliament. As a result, the gunpowder had actually been sitting in the cellars since March 1605.
2. The conspirators intended to kidnap the king’s children, install one of them as a Catholic monarch, and incite a popular rebellion beginning in the Midlands.
3. They had rented a house next to the Palace of Westminster and begun digging a tunnel into the cellars. By a rather splendid piece of luck, however, the underground storeroom they were trying to burrow into came up for rent, so they simply laid down some cash and wandered on in.

The whole plan started to unravel in late October, however, when someone involved in the plot sent an anonymous letter to a Catholic member of the House of Lords, Lord Monteagle, advising him:

‘to devise some excuse, to shift your attendance at this parliament; for God and man have concurred to punish the wickedness of this time And think not slightly of this advertisement but retire yourself into your country where you may expect the event in safety, for though there be no appearance of any stir, yet I say they shall receive a terrible blow this Parliament and yet they shall not see who hurts them.’

Lord Monteagle made the letter public – possibly so that the conspirators would hear that they risked being rumbled – and the cellars were searched in the early hours of 5 November on the orders of the king. When asked by the startled searching officer who the devil he was, Guy Fawkes quick-wittedly answered ‘John Johnson’ (‘…but everyone here calls me Vicky’ – So I Married an Axe-Murderer), which presumably provided evidence enough that this shifty-looking gentleman clutching 36 barrels of gunpowder under the Palace of Westminster at midnight on a Tuesday had something fishy to hide.

Long story short, ‘John Johnson’ soon revealed his true identity after some good old-fashioned torture, the whole plot was discovered, King James commanded his subjects to commemorate the event with public fires and general thanksgiving merriment, and Fawkes and his co-conspirators were sentenced to be hanged, drawn and quartered on 31 January. On the day itself, Fawkes contrived to avoid the drawing and quartering part of his death by leaping from the gallows, thus ensuring he died instantly.

So, all in all, an unfortunate sort of tale. But – and this is the facty cherry atop the facty cake – when children began cobbling together Guy Fawkes effigies in the nineteenth century and demanding ‘a penny for the Guy’, the word ‘guy’ gradually came to mean ‘funny-looking fellow’, and thence passed into the language as another word for ‘chap’. And that’s a fact.